Triad’s DesignerSeries Invisible Loudspeakers Hit the Market in November – Completely Concealed, Grants Total Interior Design Flexibility

28 10 2009

Next month, custom solution provider Triad Speakers, Inc. will begin delivering dealers its DesignerSeries invisible speakers. Completely hidden and sealed behind walls or ceilings, these speakers are ideal for distributed audio and surround applications, and wet or humid areas such as pools or bathrooms. MSRP ranges from $550 to $1,050 per speaker.

The DesignerSeries speaker panels consist of a powder coated aluminum frame, an extremely rigid aluminum honeycomb core with paper skin surface and electro mechanical drive devices. The panels require only 25.5 mm of mounting depth; they are designed to fit easily between the wall studs in typical home construction. The paper skin provides a high bond surface for excellent adhesion to plaster skims.

he electro mechanical drive devices are transducers comprised of the finest rare earth neodymium-iron-boron magnets. The transducer, which functions much like a magnet and voice coil in a traditional loudspeaker system, is attached to the aluminum honeycomb core which serves as the vibrating element to generate sound waves. The principle is similar to that of a piano or guitar wherein the strings are amplified by the soundboard.

”The sound generated by using this vibrating soundboard technique offers truly remarkable off-axis listening,” says Triad Speakers Director of Sales and Marketing Paul Scarpelli, adding “this allows for extremely flexible placement in distributed audio zones and makes the DesignerSeries an excellent choice as a surround speaker in media or cinema rooms where placing traditional surround speakers would otherwise be very difficult.”

The DesignerSeries consist of three monaural and two stereo versions. The models use either one (small rooms), two (small/medium rooms) or four transducers (large rooms) each per panel providing 95, 99 and 105 dB maximum loudness respectively. All are capable of frequency response from 100Hz – 20 kHz and must be used with dual channel analog 120Hz filters with limiters. For deeper bass response, a Triad InWall Subwoofer may be added.

All DesignerSeries models measure 1-5/8″ deep, 13-5/8″ wide and 17-3/4″ high. Back boxes for solid walls (plaster) and hollow walls (stud and drywall construction) are also available.

MSRP for the monaural versions (small, medium and large rooms) are $550, $750 and $1,050 (each). MSRP for the stereo versions (small and medium rooms) are $740 and $1,040 (each).

Triad is offering two 120Hz high-pass filters: the HPF-2 is shelf-mounted for use with a pair of speakers and the HPF-8 is rack-mounted, designed for use with up to four pair of speakers (MSRP $100 and $730 respectively).





Mobile Phone Symphonia by Vodaphone New Zealand

24 10 2009

I do not normally indulge myself in frivolous stuff …… but only a bunch of brilliant nuts in New Zealand would attempt something like this.  1000 Mobile Phones and 2000 test messages and you have the 1812 Overture.  Go Kiwi’s.

And below is how they thought it up, put it together, and made it work…….





Large DVI Matrix from Gefen Lets You Switch and Distribute 16 Computers to 16 Displays

23 10 2009

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Connectivity solutions provider Gefen today announced the release of its new 16×16 DVI Matrix, delivering a one-to-one or one-to-many video distribution. Access is controlled by the front-panel, RS-232 connection, IR remote or an IP local area network. The front panel display conveniently lists status and switching information.

This matrix switcher supports 1920×1200 resolutions, and offers an amazingly fast switch with very low cross-talk between adjacent channels. It can be rack mounted and combined with any of Gefen’s DVI extension solutions to deliver high resolutions to remote displays.

The Gefen 16×16 DVI Matrix can be used in a variety of applications, including recording studios with a need to command and control multiple workstations. It is ideal for digital signage, large presentations in corporate, medical, education and broadcast facilities, and for video walls.

via [press release]





No lamps, no worries – projectiondesign® ships new FL32 RealLED™ DLP® projector

20 10 2009

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Norway’s projectiondesign is now shipping the FL32 projector – the company’s first model to feature solid-state LED illumination. The FL32 is the first professional LED projector on the market that is fully configurable for its intended application.

The FL32 features ReaLED™ technology that combines long life LED illumination technology with patented projectiondesign optics for up to and estimated 100,000 hours of low-maintenance, worry-free operation. It is especially suitable for front- and rear-projection applications such as command and control, simulation and visualization, and any project that requires high-resolution imaging and low maintenance.

Anders Løkke, International Marketing & Communications Manager, projectiondesign, comments: “The FL32 has received a tremendous reception since its launch in June at InfoComm 09 and we are delighted to be shipping the model so soon after unveiling it. The challenging economic climate, together with the pressure to reduce energy consumption of all AV equipment, means there simply could not be a better time to launch this revolutionary product.”

Available in a choice of either 1080p or WUXGA resolution, the FL32 delivers optimum performance regardless of orientation or mounting position, giving integrators a wider range of installation options. When compared with other illumination technologies, the projector’s ReaLED system – a true emmisive light source technology – reduces occurrence of motion-smear and blur, along with reduction of color separation and image processing-related artifacts.

“When we say ‘no lamps, no worries’, we mean exactly that,” concludes Løkke. “The FL32 projector delivers incredibly high color accuracy and image performance, while removing the need to replace consumables during the projector’s working life. Image projection will never be the same again.”

via [PRESS RELEASE]





Extron 72×72 High Performance, Modular Fiber Optic Matrix Switcher Now Shipping

17 10 2009

Extron Electronics is pleased to announce the introduction and immediate availability of the FOX 4G Matrix 7200, a high performance, modular fiber optic matrix switcher for complete, end-to-end digital A/V signal transmission and routing over fiber optic cable. It is expandable from 8×8 up to 72×72, and supports digital switching at rates up to 4.25 Gbps. With hot-swappable I/O boards, real-time system monitoring, and redundant, hot-swappable power supplies, the FOX 4G Matrix 7200 delivers highly reliable, enterprise-wide switching of fiber optic A/V and control signals for any mission-critical environment.

“The FOX 4G Matrix 7200 is designed for facilities requiring a highly robust, dependable switching system using a fiber optic infrastructure,” says Casey Hall, Vice President of Sales and Marketing for Extron. “Our high speed digital architecture assures the utmost in signal performance and accuracy.”

The FOX 4G Matrix 7200 is compatible with the FOX Series of fiber optic digital transmitters and receivers. It accepts and routes standard definition video, high resolution computer-video, DVI, and multi-rate SDI. The modular board design features nine board slots that can accept FOX 4G Matrix I/O Boards in multimode and singlemode versions. Also available for the FOX 4G Matrix 7200 is an 8×8 HD-SDI I/O board with BNC connections, allowing it to directly accept and route multi-rate SDI signals. These signals can also be routed to and from the fiber optic inputs and outputs of the matrix switcher, for long distance transmission to and from FOX HD-SDI Fiber Optic Extenders for Multi-Rate SDI.

A host of familiar, integrator-friendly matrix switcher features are available, including I/O grouping, rooming, and memory presets. For optimum performance and reliability, a real-time monitoring system continuously provides self-diagnostics of the I/O boards, fiber links, power supplies, internal fans, and general functions of the switcher. The FOX 4G Matrix 7200 can be remotely configured and operated through the RS-232 serial control port, IP Link® Ethernet control, and the optional FPC 5000 Front Panel Controller and MKP 3000 X-Y Remote Control Panel.

via [press release] www.extron.com





Cables To Go to Offer Wireless Adapter for VGA and Audio Signals

1 10 2009

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Cables To Go, a leading provider of high-performance cabling and connectivity solutions, announced a wireless adapter for transmitting VGA and audio signals. Wireless VGA with Integrated Audio from Cables To Go adds audio capabilities to the company’s award-winning Wireless USB to VGA Adapter Kit. This innovation allows users to wirelessly display audio and video content on computer monitors, projectors or televisions up to 30 feet away.

The Wireless VGA with Integrated Audio is certified by the USB Implementers Forum (USB-IF) for compatibility with other standards-based Wireless USB products. It provides a highly secure wireless connection through Ultra-Wide Band (UWB) technology, which makes it ideal for classroom or conference room presentations or to display content from a laptop to a home entertainment system.

“We have seen a huge demand for our Wireless USB to VGA Adapter, and the one additional feature that was most requested was to the ability to wirelessly transmit the audio signal as well,” said Bill Diederich, president of Lastar, parent company of Cables To Go. “With the Wireless VGA with Integrated Audio we are able to provide quick and easy wireless connectivity that supports multiple users in training, classroom, conference room and home theater settings.”

Additional features of the Wireless VGA with Integrated Audio from Cables To Go include:

• Wireless transmission of high-resolution UXGA and WSXGA video up to 30 feet

• Wireless transmission of 3.5mm stereo audio signal up to 30 feet

• Wireless display connection can be shared by up to six computers

• Video streaming up to 720p resolution

• Supports extended desktop and dual monitor screen modes

• Supports native mode for playback of high-resolution video

The Wireless VGA with Integrated Audio is based on chipsets from Realtek and DisplayLink, which provide premium performance and reliability.

via [press release]





35-Foot Interactive Screens Decorate New Microsoft Campus

30 09 2009

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Made from transparent tubes, the hanging banner-like screens display Max/MSP-generated visuals that never look the same. A combination of thermal sensors, camera-tracking, weather conditions—even local traffic—all affect how images are mixed in real-time.

The screens hang in each of the four building atriums at Microsoft’s Entertainment and Devices division, and were built by design company Mode Studios. It actually seems like a pretty cool work environment, and staff can also stand in a “hot spot” to control the images by waving around or making sound.

A pretty impressive visual work, but for some reason, I keep imagining Steve Ballmer’s head popping up there—kind of like a cross between Apple’s 1984 ads and Max Headroom. Just saying.

See the video here [Mode Studios]





Panasonic’s 50-inch 3D plasma announced, seeks fine family home

29 09 2009

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True, Panasonic’s 103-inch 3D television is more desirable, but Panny’s new 50-incher will be more affordable when it comes time to buy your first 3D set. The 1080p TV requires viewers to wear special specs, naturally, in this case, Panasonic’s active “shutter” glasses. As the name implies, the lenses switch in sync with the TV so that the right image is seen by the right eye and the left image is seen by the left eye. All that quick image swapping requires new PDP materials and chips to maintain screen brightness. The new prototype will be on display at Ceatec show in Tokyo next week with plans for commercialization in 2010. You know, assuming anyone wants it.

[engadget]





Crestron Introduces Prodigy™ Home Control

13 09 2009

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New Residential Product Line Offers Simple, Affordable Home Control Solutions

Prodigy is a new line of home control products from Crestron, the market leader in home entertainment and automation systems. Prodigy is a simple to install, easy to use, and exceptionally affordable solution that does not require any special wiring, programming or expensive custom installation. Prodigy home automation solutions include home theater, audio distribution, lighting and climate control. Backed by Crestron quality, expertise and support, Prodigy is inexpensive control without compromise.

Crestron is installed in more homes worldwide than any other brand, and brings years of experience and success to this latest line of home technology. A very simple and affordable residential solution, Prodigy delivers the power, flexibility and reliability of Crestron to more people and more homes than ever before.

According to Vincent Bruno, Crestron Director of Marketing, “Prodigy gives our dealers the opportunity to expand their market to provide home control for every lifestyle and budget. Now virtually any homeowner can enjoy the benefits of affordable and reliable home automation.”

Prodigy is scalable, so the system can be expanded easily. Start with a simple home theater; then add whole house audio, lighting and climate control, even remote control from laptops and mobile devices. Control interfaces also include touchpanels, handheld remotes, and wireless keypads.

Prodigy is easy to set up; there’s no system design or expensive installation. Prodigy Composer guides you through a few simple steps using basic drop down menus and check boxes. The software provides all the logic and creates touchscreen interfaces automatically in the background. The wizard is intuitive, so anyone can get a system up and running in minutes without any training.

via [press release]





Myth Busting AV

13 09 2009

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With technology development continuing to accelerate, the worlds of AV and IT are full of myths, urban legends, and old wives’ tales — axioms that are totally bogus, or that used to be true but aren’t anymore. AV Technology examines 10 such claims.

1. VIDEO WILL CRASH YOUR NETWORK. That’s a myth…for the most part. According to Darren Scanlon, engineer for Emerge IT Solutions in Erlanger, KY, this axiom was probably true a decade or so ago, “when networks could only move 10 megabytes per second and when the only video was analog.”

Today, however, networks typically have much higher bandwidth capability, while digital video compression standards such as H.264/MPEG-4 offer better video quality than ever at a fraction of previous bandwidth requirements.

“Putting video on a network that doesn’t have managed traffic will still cause collisions of data that will in turn cause latency,” Scanlon adds. “If I’m sending an email, for example, I’m going to notice that the network is a little slower than usual. And if I’m trying to watch video, I’m going to see latency, and I’ll experience poor audio and poor video. But that’s not going to crash the network.”

2. YOU CAN BUY IT CHEAPER ONLINE OR AT A BIG BOX RETAILER. Sure, electronics are cheaper online and at big-box retail outlets such as Best Buy, but the hardware you’re buying is not professional grade, and the long-term costs associated with consumer-grade devices may actually be higher.

“Commercial AV equipment is designed to be used for a longer period of time,” explains Tim Cape, principal consultant for Atlanta-based technology consulting firm Technitect LLC. “A consumer-grade device may share some of the same components, but some of them will be different and the features will be different. But the big thing, particularly with displays, is the warranty will be different. A consumer display will have a 90- day warranty, or maybe a year, whereas a commercial-grade product will have a three-year warranty and be designed for 24-7 use.”

3. WE CAN INSTALL THE AV SYSTEM OURSELVES. Besides the value of professional-grade pro equipment, “the other thing people who are inexperienced with pro AV don’t understand is the labor cost and time it takes to do a professional installation,” Cape adds. “If you don’t do this for a living, you’re probably not going to know about lighting, proper image sizing, and a lot of other things that come into play, and you’ll probably get into trouble, even on a smaller installation.”

This myth, Cape notes, is especially virulent among some dedicated IT managers, who often denigrate the value of hiring outside AV help.

“An entire IT system might require just a few devices,” Cape explains. “For a typical network, you’re going to have tens of devices. Whereas, in a typical pro AV system, you may have thousands, including microphones, projectors, converters, adapters, control system interfaces, etc. And we don’t have to just know about all these devices — it goes beyond electronics into lighting and space planning.”

4. AV SHOULD BE INSTALLED AFTER THE CONSTRUCTION IS DONE. This is a tricky one. Most AV integrators agree that the dust should settle on a new construction site before expensive electronics are put in it.

“You also have electricians turning power on and off creating spikes that can damage processors,” notes Keith Willis, co-owner of Innovative Theatres, a high-end home theater designer and installer based in West Hollywood, CA.

However, there is also a consensus that not including AV design in the early architectural phase is a critical mistake. “If you wait until the end of the process to consider things like wiring, acoustical treatments, and lighting, the cost goes way up and the satisfaction goes way down,” Cape notes. “If you don’t design (AV) in early, too many compromises will have to be made with the resulting system, and because the building wasn’t designed to accommodate it, there will be a lot of things that just can’t be fixed.”

5. SWITCHING OFF POWER TO A PROJECTOR AT THE POWER STRIP IS OK. This is a total myth. Cutting off a projector’s power supply circumvents the device’s ability to run its fans in order to cool itself down after operation. Improper cool down can dramatically reduce projector lamp life — the number one complaint among projector users. However, at least one manufacturer has taken notice of some users’ tendency to improperly power down. Panasonic has a feature they call “direct power off,” which uses a built-in capacitor to provide continuous power to cool the internal components, even after the projector has been turned off and put away. Not only does this provide a quieter environment, it also prevents damage to the bulb from insufficient lamp cooling.

6. LCD MONITORS ARE NOT SUITABLE FOR GAMES AND MOVIES. This is another one of those things that was true at one time, but not so much anymore.

“LCD’s only problem, and it’s gotten a lot better, is that the cells turn on real fast but the don’t turn off quickly,” says Willis of Innovative Theatres. “If you’re watching sports, for instance, if someone is running real fast, you’ll be able to see a trail if you have a good eye. But that problem has gotten much, much better. I certainly have no problem recommending LCDs, especially for screen sizes of less than 42 inches.”

Still, for his part, Willis believes DLP projectors deliver “blacker blacks” and better color reproduction than any other projection or display technology.

7. DATA STORED ON CD AND DVD LASTS FOREVER. The myth of all recorded media is permanence. Pre-recorded commercial CDs and DVDs that come out of replication plants have tiny physical pits embedded into their matrix that are read by the drive as binary information. Ultimately, corrosion and oxidization will corrupt these pits, but these discs have much more staying power than recordable CDs and DVDs, which use a more-fragile light-sensitive dye layer to store data.

In 2003, a Dutch technology magazine reported test results for 30 leading recordable CD brands. After just two years, some of the discs showed significant data loss.

8. WIRELESS NETWORKS ARE UNSAFE AND CAN BE HACKED EASILY. “Largely because of this myth, there’s been a whole lot more effort to protect people using wireless networks,” Emerge Technology’s Scanlon explains. “But it’s not true. The sophisticated wireless infrastructure that we install today is every bit as secure as [a wired network], if not more so.”

First and foremost, Scanlon notes, by simply choosing not to broadcast a wireless network’s SSID, IT administrators construct a somewhat impenetrable barrier — you can’t hack a network you can’t see.

Further, the military-grade encryption used on many wireless networks today means that, “even if someone could get control of your data, they probably couldn’t use it,” he adds.

9. WIRELESS MICROPHONES ARE ILLEGAL NOW THAT TV IS BROADCASTING IN DIGITAL. This is a myth…at least until the FCC declares it isn’t. Due to the recent digital transition of television broadcasting, and the subsequent auctioning off of the analog spectrum to wireless carriers AT&T and Verizon, those owning wireless microphones that operate on the UFC spectrum — most notably, mics using the 700 MHz band — are in limbo in terms of the long-term usability of their equipment.

The FCC, which has been slowed of late due to the changeover in administrations, is currently working out a plan to reclaim this analog spectrum so that can be finally handed over to AT&T and Verizon, which jointly paid $16.2 billion last year for it. Until the FCC figures out this transition, those owning microphones using the affected frequencies are free to use them.

“At some point, people who have these microphones are going to have to get rid of them, but the FCC has not said when we have to leave,” explains Chris Lyons, manager of educational and technical communications for mic manufacturer Shure.

10. VIDEOCONFERENCING WILL REPLACE FACE-TO-FACE MEETINGS. Videoconferencing enthusiasts have been making this claim for nearly 25 years, and it hasn’t happened…yet.

“I do believe that there will be significant cuts in the future in travel and face-to-face meetings, stimulated by civic action or government action to address global climate change,” says Andrew Davis, analyst for technology research firm Wainhouse Research. “Videoconferencing will replace a lot of face-to-face meetings — not because people want to do it that way, but because they’re forced to do it that way.”

Daniel Frankel is a Los Angeles-based freelancer who regularly writes about the businesses of entertainment and technology. He can be reached at frankel_daniel@hotmail.com.

Via [av technology]